Philosophy Behind Live Theater

This article intends to present you a comprehensive review discussing the philosophy behind live theater. If you are interested in knowing more on the topic of live theater and the philosophy of live theater, then this article is meant for you as you will get to read useful facts and information helpful in understanding the philosophy behind live theater.

There are different types of philosophies, such as artistic processes, and theatrical approaches for developing plays and drama. Some of the philosophy of live theater is related to political ideologies and other to the spiritual ideologies. Live theater’s philosophy sometimes is also based on solely artistic interests. Some of the processes also concentrate on a story, some on theatre as event, and some on theatre as accelerator for social change.

One such philosophy behind live theater as based on the Aristotle's seminal theatrical critique Poetics state that there totals of six required things for developing a theater performance. These are plot, character, idea, language, music, and spectacle. According to the famous Spanish writer Lope de Vega, in order to come out with a performance for a theater one needs to have three boards, two actors, and one passion. There are various famous personnel who have contributed a lot in defining and developing the Philosophy of live theater. To name a few major contributors, there are likes of Konstantin Stanislavski, Antonin Artaud, Bertolt Brecht, Orson Welles, Peter Brook, and Jerzy Grotowski.

While discussing about the philosophy behind live theater, an important name that come to mind is of Konstantin Stanislavski who is considered as father of theater technique, since he was the first person who wrote about live theater’s philosophy and the majority of modern western theatre theory is derived from Stanislavski's system in one form or another. There were many students of Stanislavski' who didn’t approve his system and started to develop their own, these first new methods helped to blaze the way for future theorists and ultimately lead to the wide range of techniques that are studied and used today like Meisner, Stanislavsky, Strasberg, and Hagen acting methods.