Adrien Brody, Mark Ruffalo, Rachel Weisz

Though THE BROTHERS BLOOM seems to be equal parts THE STING and THE ROYAL TENENBAUMS, director Rian Johnson's second feature is still strikingly original. Adrien Brody (KING KONG) and Mark Ruffalo (ZODIAC) star as the siblings of the title, who have been working as conmen since they were children. There is a constant tug of war between them, with Bloom (Brody) desperate to get out of the game, while his brother Stephen (Ruffalo) drags him back. Like so many other films, THE BROTHERS BLOOM hinges on "one last job;" here, it is to steal millions from lonely, bored heiress Penelope (Rachel Weisz, THE CONSTANT GARDENDER) while they pose as antique dealers. But Bloom falls in love with the charming Penelope, and the con gets even more complicated. Johnson's directorial debut, BRICK, was a critically aclaimed exercise in style, and THE BROTHERS BLOOM proves to be even better crafted. In both its gorgeous aesthetic and its witty script, this is a film that is incredibly modern while it remains in the spirit of classic con films such as PAPER MOON. Director of photography Steve Yedlin is a wonder with camera angles and lighting, while costume designer Beatrix Aruna Pasztor perfectly creates a vintage-inspired wardrobe for the stars. With these visuals, it might be difficult for actors to stand out, but Johnson has assembled a fantastic cast that more than holds their own. His three leads are great together, and he gets wonderful supporting work from BABEL's Rinko Kikuchi as a nearly silent explosives expert and Harry Potter favorite Robbie Coltrane as a Belgian who may or may not be on their side (and, in fact, may or may not be Belgian). There are plenty of twists and turns on this road, but this fun film proves there's joy in the journey.

Those prepared to hate the reboot of STAR TREK--whether they’re diehard fans or those in the anti-sci-fi camp--may be convinced to lower their shields after seeing this fun, action-filled film. Best known for creating mythology-driven series like LOST, J.J. Abrams has imbued his version with the elements that have made his shows such mind-bending entertainment while still keeping the soul of the saga intact. STAR TREK begins with an attack by an impossibly advanced Romulan ship captained by the tattooed, snarling Nero (Eric Bana). Among the survivors is the infant version of James T. Kirk (Chris Pine), who grows up to wreak havoc on the Iowa countryside. When Captain Christopher Pike (Bruce Greenwood) meets an adult Kirk, he encourages him to join Starfleet, giving him the opportunity to meet Spock (Zachary Quinto), Uhura (Zoe Saldana), and the rest of the characters audiences have loved for decades. Abrams has assembled a fine cast who seem to be aware of their predecessors but never resort to impressions. Both Quinto and Pine do a fine job with their portrayals of Kirk and Spock, and Karl Urban couldn’t be better as Leonard McCoy. The supporting players--Simon Pegg (Scotty), John Cho (Sulu), and Anton Yelchin (Chekov)--all capture the essence of what drove their characters, though their screen time is limited. STAR TREK manages the nearly impossible: it pleases hardcore fans with plenty of in-jokes and references (and an appearance by the original Spock, Leonard Nimoy), but it doesn’t alienate newcomers with tons of technobabble. The action and effects rank with any other top-tier summer blockbuster, but there’s plenty of humor to balance the excitement. For anyone who (wrongly) felt he had to hide his trekker tendencies, this undeniably cool version of STAR TREK offers a chance to wear the "geek" label with pride.

Adrien Brody, Mark Ruffalo, Rachel Weisz

Though THE BROTHERS BLOOM seems to be equal parts THE STING and THE ROYAL TENENBAUMS, director Rian Johnson's second feature is still strikingly original. Adrien Brody (KING KONG) and Mark Ruffalo (ZODIAC) star as the siblings of the title, who have been working as conmen since they were children. There is a constant tug of war between them, with Bloom (Brody) desperate to get out of the game, while his brother Stephen (Ruffalo) drags him back. Like so many other films, THE BROTHERS BLOOM hinges on "one last job;" here, it is to steal millions from lonely, bored heiress Penelope (Rachel Weisz, THE CONSTANT GARDENDER) while they pose as antique dealers. But Bloom falls in love with the charming Penelope, and the con gets even more complicated. Johnson's directorial debut, BRICK, was a critically aclaimed exercise in style, and THE BROTHERS BLOOM proves to be even better crafted. In both its gorgeous aesthetic and its witty script, this is a film that is incredibly modern while it remains in the spirit of classic con films such as PAPER MOON. Director of photography Steve Yedlin is a wonder with camera angles and lighting, while costume designer Beatrix Aruna Pasztor perfectly creates a vintage-inspired wardrobe for the stars. With these visuals, it might be difficult for actors to stand out, but Johnson has assembled a fantastic cast that more than holds their own. His three leads are great together, and he gets wonderful supporting work from BABEL's Rinko Kikuchi as a nearly silent explosives expert and Harry Potter favorite Robbie Coltrane as a Belgian who may or may not be on their side (and, in fact, may or may not be Belgian). There are plenty of twists and turns on this road, but this fun film proves there's joy in the journey.

The Appalachian Summer Festival Hosts:

The Band's Visit
Running Time: 1 hr. 26 min.
Release date: 2007


A small Egyptian Police band arrives in Israel. They are suppose to play at an initiation ceremony but instead are left stranded at the airport. The band tries to make their way on their own, only to find themselves in a desolate, small Israeli town, somewhere in the heart of the desert. A lost band in a lost town.

Awards:
Festival de Cannes
prix coup de c¦ur ­ un certain regard ­ cannes official selection fipresci - international critics prize ­ un certain regard prix de la jeunesse - 26th youth prize - french ministry of youth And 43 other prizes internationally

Adrien Brody, Mark Ruffalo, Rachel Weisz

Though THE BROTHERS BLOOM seems to be equal parts THE STING and THE ROYAL TENENBAUMS, director Rian Johnson's second feature is still strikingly original. Adrien Brody (KING KONG) and Mark Ruffalo (ZODIAC) star as the siblings of the title, who have been working as conmen since they were children. There is a constant tug of war between them, with Bloom (Brody) desperate to get out of the game, while his brother Stephen (Ruffalo) drags him back. Like so many other films, THE BROTHERS BLOOM hinges on "one last job;" here, it is to steal millions from lonely, bored heiress Penelope (Rachel Weisz, THE CONSTANT GARDENDER) while they pose as antique dealers. But Bloom falls in love with the charming Penelope, and the con gets even more complicated. Johnson's directorial debut, BRICK, was a critically aclaimed exercise in style, and THE BROTHERS BLOOM proves to be even better crafted. In both its gorgeous aesthetic and its witty script, this is a film that is incredibly modern while it remains in the spirit of classic con films such as PAPER MOON. Director of photography Steve Yedlin is a wonder with camera angles and lighting, while costume designer Beatrix Aruna Pasztor perfectly creates a vintage-inspired wardrobe for the stars. With these visuals, it might be difficult for actors to stand out, but Johnson has assembled a fantastic cast that more than holds their own. His three leads are great together, and he gets wonderful supporting work from BABEL's Rinko Kikuchi as a nearly silent explosives expert and Harry Potter favorite Robbie Coltrane as a Belgian who may or may not be on their side (and, in fact, may or may not be Belgian). There are plenty of twists and turns on this road, but this fun film proves there's joy in the journey.

Those prepared to hate the reboot of STAR TREK--whether they’re diehard fans or those in the anti-sci-fi camp--may be convinced to lower their shields after seeing this fun, action-filled film. Best known for creating mythology-driven series like LOST, J.J. Abrams has imbued his version with the elements that have made his shows such mind-bending entertainment while still keeping the soul of the saga intact. STAR TREK begins with an attack by an impossibly advanced Romulan ship captained by the tattooed, snarling Nero (Eric Bana). Among the survivors is the infant version of James T. Kirk (Chris Pine), who grows up to wreak havoc on the Iowa countryside. When Captain Christopher Pike (Bruce Greenwood) meets an adult Kirk, he encourages him to join Starfleet, giving him the opportunity to meet Spock (Zachary Quinto), Uhura (Zoe Saldana), and the rest of the characters audiences have loved for decades. Abrams has assembled a fine cast who seem to be aware of their predecessors but never resort to impressions. Both Quinto and Pine do a fine job with their portrayals of Kirk and Spock, and Karl Urban couldn’t be better as Leonard McCoy. The supporting players--Simon Pegg (Scotty), John Cho (Sulu), and Anton Yelchin (Chekov)--all capture the essence of what drove their characters, though their screen time is limited. STAR TREK manages the nearly impossible: it pleases hardcore fans with plenty of in-jokes and references (and an appearance by the original Spock, Leonard Nimoy), but it doesn’t alienate newcomers with tons of technobabble. The action and effects rank with any other top-tier summer blockbuster, but there’s plenty of humor to balance the excitement. For anyone who (wrongly) felt he had to hide his trekker tendencies, this undeniably cool version of STAR TREK offers a chance to wear the "geek" label with pride.

Adrien Brody, Mark Ruffalo, Rachel Weisz

Though THE BROTHERS BLOOM seems to be equal parts THE STING and THE ROYAL TENENBAUMS, director Rian Johnson's second feature is still strikingly original. Adrien Brody (KING KONG) and Mark Ruffalo (ZODIAC) star as the siblings of the title, who have been working as conmen since they were children. There is a constant tug of war between them, with Bloom (Brody) desperate to get out of the game, while his brother Stephen (Ruffalo) drags him back. Like so many other films, THE BROTHERS BLOOM hinges on "one last job;" here, it is to steal millions from lonely, bored heiress Penelope (Rachel Weisz, THE CONSTANT GARDENDER) while they pose as antique dealers. But Bloom falls in love with the charming Penelope, and the con gets even more complicated. Johnson's directorial debut, BRICK, was a critically aclaimed exercise in style, and THE BROTHERS BLOOM proves to be even better crafted. In both its gorgeous aesthetic and its witty script, this is a film that is incredibly modern while it remains in the spirit of classic con films such as PAPER MOON. Director of photography Steve Yedlin is a wonder with camera angles and lighting, while costume designer Beatrix Aruna Pasztor perfectly creates a vintage-inspired wardrobe for the stars. With these visuals, it might be difficult for actors to stand out, but Johnson has assembled a fantastic cast that more than holds their own. His three leads are great together, and he gets wonderful supporting work from BABEL's Rinko Kikuchi as a nearly silent explosives expert and Harry Potter favorite Robbie Coltrane as a Belgian who may or may not be on their side (and, in fact, may or may not be Belgian). There are plenty of twists and turns on this road, but this fun film proves there's joy in the journey.

Shawn Levy (CHEAPER BY THE DOZEN, JUST MARRIED) directs the sequel of his hit film NIGHT AT THE MUSEUM. Night guard Larry Daley (Ben Stiller), now a successful entrepreneur, returns to the Museum of Natural History to visit his friends--the exhibits that come to life at night--only to learn that they are being shipped off into deep storage at the Smithsonian Institution. To make matters worse, the exhibits at the Smithsonian, including the pharaoh Kahmunrah (Hank Azaria), are suddenly coming to life--and they aren’t at all happy about their new visitors. Determined to save his friends, Larry rushes to Washington, D.C., and makes his way into the inner workings of the largest museum complex in the world while Kahmunrah recruits the likes of Ivan the Terrible (Christopher Guest), Napoleon (Alain Chabat), and Al Capone (Jon Bernthal). Larry, meanwhile, finds himself with spunky Amelia Earhart (Amy Adams) as a co-conspirator and love interest, and General Custer (Bill Hader) leading the battle for the Smithsonian. The stakes are higher in this sequel, where even the paintings on the Smithsonian walls come to life at night. Stiller is his capable deadpan self as the now-successful Larry who finds purpose again while helping his friends, and Adams is spot-on as feisty, adventure-seeking Earhart, complete with period lingo. Azaria is a scene-stealer as Kahmunrah, who is menacing despite his lisp. Owen Wilson, Steve Coogan, Robin Williams, and Ricky Gervais also reprise their roles in this sequel, which is the first film to be shot at the Smithsonian.

Adrien Brody, Mark Ruffalo, Rachel Weisz

Though THE BROTHERS BLOOM seems to be equal parts THE STING and THE ROYAL TENENBAUMS, director Rian Johnson's second feature is still strikingly original. Adrien Brody (KING KONG) and Mark Ruffalo (ZODIAC) star as the siblings of the title, who have been working as conmen since they were children. There is a constant tug of war between them, with Bloom (Brody) desperate to get out of the game, while his brother Stephen (Ruffalo) drags him back. Like so many other films, THE BROTHERS BLOOM hinges on "one last job;" here, it is to steal millions from lonely, bored heiress Penelope (Rachel Weisz, THE CONSTANT GARDENDER) while they pose as antique dealers. But Bloom falls in love with the charming Penelope, and the con gets even more complicated. Johnson's directorial debut, BRICK, was a critically aclaimed exercise in style, and THE BROTHERS BLOOM proves to be even better crafted. In both its gorgeous aesthetic and its witty script, this is a film that is incredibly modern while it remains in the spirit of classic con films such as PAPER MOON. Director of photography Steve Yedlin is a wonder with camera angles and lighting, while costume designer Beatrix Aruna Pasztor perfectly creates a vintage-inspired wardrobe for the stars. With these visuals, it might be difficult for actors to stand out, but Johnson has assembled a fantastic cast that more than holds their own. His three leads are great together, and he gets wonderful supporting work from BABEL's Rinko Kikuchi as a nearly silent explosives expert and Harry Potter favorite Robbie Coltrane as a Belgian who may or may not be on their side (and, in fact, may or may not be Belgian). There are plenty of twists and turns on this road, but this fun film proves there's joy in the journey.